I agree to read this poem twelve times.

If I am interrupted by anything

(a bell, my stop,

someone calling my name)

I will start again at once.

Unless the interruption is:

The wind, a forgotten face,

A bird who deigns to visit

The chair back across from me.

Those also are the poem…

“I cannot go to school today,”

Said little Peggy Ann McKay.

“I have the measles and the mumps,

A gash, a rash and purple bumps.

My mouth is wet, my throat is dry,

I’m going blind in my right eye.

My tonsils are as big as rocks,

I’ve counted sixteen chicken pox

And there’s one more—that’s seventeen,

And don’t you think my face looks green?

My leg is cut—my eyes are blue—

It might be instamatic flu.

I cough and sneeze and gasp and choke,

I’m sure that my left leg is broke—

My hip hurts when I move my chin,

My belly button’s caving in,

My back is wrenched, my ankle’s sprained,

My ’pendix pains each time it rains.

My nose is cold, my toes are numb.

I have a sliver in my thumb.

My neck is stiff, my voice is weak,

I hardly whisper when I speak.

My tongue is filling up my mouth,

I think my hair is falling out.

My elbow’s bent, my spine ain’t straight,

My temperature is one-o-eight.

My brain is shrunk, I cannot hear,

There is a hole inside my ear.

I have a hangnail, and my heart is—what?

What’s that? What’s that you say?

You say today is . . . Saturday?

G’bye, I’m going out to play!”

Imagine, when a human dies, the soul misses the body, actually grieves the loss of its hands and all they could hold. Misses the throat closing shy reading out loud on the first day of school. Imagine the soul misses the stubbed toe, the loose tooth, the funny bone. The soul still asks, Why does the funny bone do that? It’s just weird. Imagine the soul misses the thirsty garden cheeks watered by grief. Misses how the body could sleep through a dream. What else can sleep through a dream? What else can laugh? What else can wrinkle the smile’s autograph? Imagine the soul misses each falling eyelash waiting to be a wish. Misses the wrist screaming away the blade. The soul misses the lisp, the stutter, the limp. The soul misses the holy bruise blue from that army of blood rushing to the wound’s side.When a human dies, the soul searches the universe for something blushing, something shaking in the cold, something that scars, sweeps the universe for patience worn thin, the last nerve fighting for its life, the voice box aching to be heard. The soul misses the way the body would hold another body and not be two bodies but one pleading god doubled in grace. The soul misses how the mind told the body, You have fallen from grace. And the body said, Erase every scripture that doesn’t have a pulse. There isn’t a single page in the bible that can wince, that can clumsy, that can freckle, that can hunger. Imagine the soul misses hunger, emptiness, rage, the fist that was never taught to curl-curled, the teeth that were never taught to clench-clenched, the body that was never taught to make love-made love like a hungry ghost digging its way out of the grave. The soul misses the unforever of old age, the skin that no longer fits. The soul misses every single day the body was sick, the now it forced, the here it built from the fever. Fever is how the body prays, how it burns and begs for another average day. The soul misses the legs creaking up the Stairs, misses the fear that climbed up the vocal cords to curse the Wheelchair. The soul misses what the body could not let go-what ese could hold on that tightly to everything? What else could see hear the chain of a swing set and fall to its knees? The soul misses the way the body would hold another body and not be two bodies but one pleading god doubled in grace. The soul misses how the mind told the body, You have fallen from grace. And the body said, Erase every scripture that doesn’t have a pulse. There isn’t a single page in the bible that can wince, that can clumsy, that can freckle, that can hunger. Imagine the soul misses hunger, emptiness, rage, the fist that was never taught to curl-curled, the teeth that were never taught to clench-clenched, the body that was never taught to make love-made love like a hungry ghost digging its way out of the grave. The soul misses the unforever of old age, the skin that no longer fits. The soul misses every single day the body was sick, the now it forced, the here it built from the fever. Fever is how the body prays, how it burns and begs for another average day. The soul misses the legs creaking up the Stairs, misses the fear that climbed up the vocal cords to curse the Wheelchair. The soul misses what the body could not let go-what ese could hold on that tightly to everything? What else could see hear the chain of a swing set and fall to its knees? What else could touch a screen door and taste lemonade? What else could come back from a war and not come back? But still try to live? Still try to lullaby? When a human dies the soul moves through the universe trying to describe how a body trembles when it’s lost, softens when it’s safe, how a wound would heal given nothing but time. Do you understand? Nothing in space can imagine it. No comet, no nebula, no ray of light can fathom the landscape of awe, the heat of shame. The fingertips pulling the first gray hair and throwing it away. I can’t imagine it, the stars say. Tell us again about goosebumps. Tell us again about pain.

Sinewed in a snaky embrace

over shoulders & ‘round 

Santa Claus waists

fat horns don’t get their due 

even when Dizzy Gillespie cheeks

beg with staccato pleas. 

Parenthesis for a horns line

in high school marching bands

fat horns don’t get their due

playing the clown through

low-pitched complaints & bleats.

Fat horns don’t get their due

until New Orleans nightcrawlers

conjured counter melodies

with saxes, trumpets & t-bones

laying down a roaring harmony

demanded respect & kicked

a roaring song singing

great googa mooga 

great googa mooga

great googa mooga

whoo wee! whoo wee!

And if it’s true we are alone,

we are alone together,

the way blades of grass

are alone, but exist as a field.

Sometimes I feel it,

the green fuse that ignites us,

the wild thrum that unites us,

an inner hum that reminds us

of our shared humanity.

Just as thirty-five trillion

red blood cells join in one body

to become one blood.

Just as one hundred thirty-six thousand

notes make up one symphony.

Alone as we are, our small voices

weave into the one big conversation.

Our actions are essential

to the one infinite story of what it is

to be alive. When we feel alone,

we belong to the grand communion

of those who sometimes feel alone—

we are the dust, the dust that hopes,

a rising of dust, a thrill of dust,

the dust that dances in the light

with all other dust, the dust

that makes the world.

Thank You by artist Matt Moberg
36×36, Oil on Canvas

I think every human being
eventually has a moment
where they are standing outside in sweatpants
that have lost the will to be pants,
holding a trash bag, a divorce, a parking ticket,
or some other receipt from the universe
that says, “surprise, this too is part of it.”

And then the sky bruises purple.

And the air touches your face
like it knows your whole story.

And suddenly you realize:

all the real is actually unreal.

The dirt.
The breath.
The weird little bones in your hands.
The fact that we are here,
on a floating rock with pollen counts,
paying bills,
missing dead people,
loving living people
who say “leaving now”
while still fully naked and looking for socks.

And still,
the moon clocks in.

No applause.
No benefits.
No note from management saying,
“Great work being ancient and luminous again.”

Just the moon,
working nights
like a single mother with no applause,
packing silver lunches
for every dark thing
that still has to rise.

Tell me that isn’t holy.
Tell me there is a better word
than sacred
for the way light keeps returning
with no guarantee
we will actually stop and take note.

I know people who believe in therapy,
probiotics,
tarot,
twelve-step meetings,
manifestation journals,
and waiting exactly eleven minutes
before texting back
so they do not appear emotionally available,
even though their whole nervous system
is standing in the driveway holding flowers.

And underneath all of it,
every ritual,
every doctrine,
every smoothie with chia seeds,
the prayer is the same:

Please let me be loved.
Please let me be forgiven.
Please let this strange little life
mean something
before my lower back
submits its formal resignation.

What is going on?

For real tho—What is this place?

This unbearable tenderness
of being alive long enough
to watch steam lift from coffee in winter
like a soul practicing leaving.

To see your friend laugh so hard
they slap the table
as if joy is a mosquito
they are trying to kill.

To hear a child say “pisghetti”
and, for one shining second,
realize language
has finally been improved.

I know I already noted this in the first piece,
but the older I get,
the less use I have for certainty.

Certainty has never made me pull over
because the sunset looked like God
dropped a jar of peach jam
across the whole midwestern sky
and decided to be lazy
and not clean up.

Certainty has never made me gasp
at rain on hot pavement.
Certainty has never found me
in the cereal aisle,
holding Captain Crunch,
suddenly remembering
that everyone I have ever loved
was made from stardust,
hunger,
and a series of decisions
we probably should have slept on.
No.
It has always been awe.

Awe was the first church.

Before steeples.
Before committees.
Before men got involved
and started making rules about skirts.

Awe was there
with its wild hair
and muddy feet,
saying:

Look.
Look again.
Look until looking
becomes love.

Awe, and soup.

Awe, and someone rubbing your back
when you are sick.

Awe, and old couples at Target
arguing gently about avocados,
as if marriage is not one vow
but ten thousand errands
performed beside the person
who knows exactly
how you like the cart pushed.

Maybe gratitude
was never meant to sound elegant.

Maybe gratitude sounds like:
“Damn.
That woodpecker is trying
to beat that tree from itself.”

Maybe gratitude sounds like:

“Thank you, body,
for continuing to drag me through this world
despite the many slim jims
I have done to you
at gas stations.”

Maybe gratitude sounds like:

“Thank you to the dogs
who lose their entire minds
when we come home
as if we have returned from war
and not Walgreens.”

For me, that might be my gospel.

That joy that does not wait for us
to be impressive but only needs us
to come through the door.

Because the truth is,
this life is devastating.

And ridiculous.

One minute you are 22 and invincible,
driving too fast,
eating gas station nachos
with the confidence of a Greek god.

The next minute you are googling,
“Can sneezing cause a hamstring injury?”
and the answer is,
apparently,
“Welcome to the second half of your life.”

But even now—

even tired,
even grieving,
even emotionally held together
by iced coffee, playlists,
and one very specific wolves hoodie—

we keep finding reasons
to stay soft.

We plant tomatoes
even though grief is real.

We bake bread
even though the news is on fire.

We send photos of the sky
to people we love
with captions like,
“LOOK,”
as if beauty is an emergency
and we are all volunteer firefighters.

We keep saying,
“You have to see this,”
because wonder
is the oldest form
of resurrection.

So here’s to the believers
and the atheists
and the agnostics
and the people whose entire theology
is just trying not to cry
in the DMV line.

Here’s to the people clinging to faith.

Here’s to the people clinging to Xanax
and oat milk
and the one group chat
where nobody pretends to be okay.

Here’s to the tender-hearted weirdos.

The accidental mystics.

The ones who can contemplate mortality
for six straight hours
and then become emotionally attached
to a perfect peach.

The ones who know
despair has a mouth,
but so does laughter.

May we never stop being drop-kicked by beauty
in the middle of a Sunday afternoon.
May we never become so polished
that we forget how to stand
in the Starbucks line of existence
with our dumb, gorgeous hearts open,
feeling the enormity of it all
rattle around in our bones
like thunder
looking for somewhere to laugh.

And may we remember:

whatever else this is,
whatever mess,
whatever miracle,
whatever cosmic group project
no one was prepped for—

all’ve it is astonishing.
that we are here.
that we have loved enough to be ruined.
that the moon keeps showing up.
that bread exists.

So pass it on.

Tear off a piece
with your bare hands.

Take it in as you take it down.

And then go outside and look at that moon.

Facebook Source

Consider the mind of an immigrant child.

The blinds shut tightly in her basement apartment,

the living room darkened against the nightmare outside.

Last week she skipped rope,

gliding above the schoolyard pavement,

the music of her friends’ voices

crescendoed and fell with each luscious skyward leap.

Today hidden in the bowels of their strangled neighborhood

those raucous rhythms muted in unimaginable terror.

“This is the number you must call if they take me away..”

Snuggled silent in Grandma’s arms,

“It will be okay”

“It will not”, her inner voice whispers back, “it will never be okay.”

The sound of bootfall at the front door entrance.

The doorbell screaming “let me in!”

The battering ram splintering wood from frame.

Consider the mind of an immigrant child.

Consider your place in the world where she lives.

Such as the lobster

cracking loose 

from its exoskeleton 

after moons of moulting,  

or the viper that squeezes 

out of the skin 

of its remembrance, 

this oracle invites you

to rewild yourself,

to unbox, detox, 

and declutter

your blood. Break 

free from the mold

you made for

yourself, for the animal 

in you that craves 

routines like sugar,

addicted to the stress 

of your comforts. Sling 

your arm around the waist 

of your discomfort

like it’s a new lover

in these uncharted 

seas and distances

untraversed. Take

And give glee. 

Summon surprise.

Something whim-

sical this way comes. 

It smells something 

like wishes 

wrapped in wind

as you trod

the winding path 

through the forests 

of your interior. 

Be warned. You will

bewilder beloveds. 

Hush. Some 

events are better

experienced than 

explained. Take soul.

Your joy is your job;

and yours alone. 

Hire yourself every day. 

Climb into your traveling

shoes knowing that

there, too, will 

be dancing. 

It is I who must begin. 

Once I begin, once I try – 

here and now, 

right where I am, 

not excusing myself 

by saying things 

would be easier elsewhere, 

without grand speeches 

and ostentatious gestures, 

but all the more persistently 

 – to live in harmony 

with the “voice of Being,” as I 

understand it within myself 

– as soon as I begin that, 

I suddenly discover, 

to my surprise, that 

I am neither the only one, 

nor the first, 

nor the most important one 

to have set out 

upon that road. 

Whether all is really lost 

or not depends entirely on 

whether or not I am lost. 

– Václav Havel 

(from “Teaching With Fire”) 

 

Sprit

our poets
our poetry readers
and especially to you
who hear the song of the poem.